在這個物質世界裡,象徵著無限、無時空,可以⽤後製來穿越⼀切的東西,大概就是「藍幕」了。當我觸摸藍幕時,感受得到無限,摸起來卻如此的物質,身體跟感覺很分裂,藍幕與影像後製作業的關係,在真實⽽純粹的動物(鹿)闖入後,既區隔又連結了真實與想像。
戲劇化的聲⾳、字幕是來⾃遊戲(刺客教條III)中殺死各個頭⽬之後瀕死的瞬間,來到似乎是名為永恆的地⽅,侃侃道出劇中⼈物內⼼的愛恨仇。如同電影格式般的完整,試圖揭⽰了媒體的真實與渾沌的稠密感、後製的種種對話關係。藍幕或許就是影像的鄉愁,指向過去也指向未來。 Farewell, Edward is based on the “Blue Curtain” which can be used to go through anything by mean of post-production. It symbolizes the infinity and the timelessness. Once the real-life and naive animal(a deer) penetrates the blue curtain, it both separates and connects the reality and the imago-nation. The dramatic voice with caption from the game “Assassin’s Creed III” depicts the moment when the chiefs are on the brink of death after being killed one after another. They arrive at a place that seems to bear the name of “Eternity”. The voice deliberately speaks about the characters’ internal love and hatred. Meanwhile, the integrity of format similar to that of a film reveals the gray zone of the media between the reality and the falseness. |
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